Santosh Choubey’s literary identity is deeply rooted in poetry, which he proudly upholds even after achieving acclaim as a novelist, storyteller, translator, and dramatist. His debut poetry collection, “Kahin Aur Sach Honge Sapne” (1983), won the Dushyant Kumar Award from the Madhya Pradesh Sahitya Parishad, establishing him early on as a voice of poetic subtlety and reflective inquiry.
Despite his wide-ranging creative output, Choubey has always returned to poetry as his essential mode of expression, using it to probe, protect, and preserve the inner world of humanity.
At the heart of Choubey’s poetry lies a profound commitment to human values. His poems seek to rescue joy from the overlooked corners of daily life — such as the simple bliss of reading in the rain or dreaming under open skies. These acts, rendered poetic in his verse, are also quiet rebellions against a world eroded by noise, distraction, and rapid commercialization.
In a society numbed by spectacle, Choubey’s poems attempt to salvage tenderness: the warmth of a grandmother’s old radio, the innocence of love conveyed through tea in the rain, or the vibrancy of intimate relationships explored without sentimental excess.
While Choubey celebrates simplicity, he does not romanticize it. His poetry is equally equipped to confront oppression, irony, and injustice. In lines that satirize displacement in the name of development, he writes:
मेरे प्यारे आदिवासियों,
विस्थापित हो जाओ ताकि हम स्थापित हो सकें,...
Such verses are not just commentary; they are clear-eyed indictments of cultural appropriation and institutionalized marginalization. His poems target tokenism, bureaucratic indifference, and the hollowness of project-driven “revolutionaries” who commodify change rather than confront it.
Described by Ramesh Dave as the voice of a "slow-burning fire of thought," Choubey’s poetry carries a steady, simmering energy. His craft is marked by:
He avoids exaggerated romanticism or ideological rigidity, instead favoring clarity, quiet resistance, and human intimacy.
Over time, two distinct yet connected streams emerge in his poetic journey:
His poetry resists narrow categorization — blending intimacy with activism, memory with critique, and emotion with precision.
In an age marked by technological detachment and commodified development, Choubey’s poems remain urgent and necessary. They do not shout, but they persist, offering a literary compass for navigating injustice while reminding us of the quiet dignity of being human.
His work continues to be published in major Hindi literary journals, and his editorial contributions to platforms like Udbhavana reflect his role in shaping the broader contemporary poetic discourse.
Santosh Choubey stands as a poet of emotional integrity, social insight, and intellectual clarity. His ability to straddle themes of love, memory, displacement, and ideological critique makes his poetry not only aesthetically engaging but ethically urgent.
He writes not just to be heard — but to rekindle reflection, preserve humanity, and challenge silence.